The 6F12P is used (by many) in Europe (mainly) in RIAA circuit. You would wonder why? Well, it’s a great Russian frame-pentode which has high-mu and high-gm therefore driving larger currents at low distortion.
Category: RIAA
Tuning the system for ETF
This year I entered the shootout competition and will bring my DHT system to the European Triode Festival in France. It’s comprised of the ER801a stage plus the 01a (if extra gain is needed) and the 4P1L PSE output stage
I will have to swap out the amorphous OPT for the Monolith Magnetic ones as the speaker load is 5R.
It’s going to be interesting!
DHT Phono Stage Test
High gain stage with DHT
Some time ago a colleague (Shawn Fox) contacted me to find out whether I could test some rare high-mu DHTs. I didn’t have them in my stash, so he offered to send them across for testing. He was quite keen to find out the performance with a gyrator load due to the particular characteristics of the DHT in question. The valve in question is the CX-340. There isn’t much information about this valve am afraid and coincidentally, Thomas Mayer (Vinyl Savor) wrote not long ago a review of this valve.
Tracing the curves, the first step
The high anode resistance as well as the low anode current in which this valve operates makes it a real challenge to implement successfully. Hence, this is why the gyrator load plus an output follower stage comes into play as the best companion for this valve. Before we look into the circuit itself, I submitted the 40 valve to the mercy of my tracer:
LCR Phono: design notes (Part III)
My previous design wasn’t good for two reasons:
- Input capacitance was too high due to Miller effect.
- Overall gain wasn’t enough: 55dB was marginal as 60dB would be ideal for an MC stage. Obviously this doesn’t apply to an MM cartridge where 40dB should be more than ok.
LCR Phono: design notes (Part II)
Introduction
This is a continuation of my previous blog post. I will try to share my experience through the design process of this RIAA stage through these individual posts with an attempt to spark some interest in others and in return to get some valuable input from the experience and knowledge of others. Hope this works!
First stage
Here is the initial design version for analysis. I’m working through this step by step and refining the circuit in every iteration. The initial circuit is very simple. The first stage is key. We want to achieve as much amplification as possible from this stage before we hit the LCR network. The choice of the 6S17K-V valve may appear as a surprise to the ones not familiarised with this valve. Here are some notes from Wavebourn around this valve:
LCR Phono: design notes (Part I)
Introduction
A phono stage is probably one of the most challenging circuits to build in audio. Clearly not for beginners, many make the mistake in adventuring in building one. There are several designs which are simple, albeit many are poor ones. In addition to the challenges related to high-gain and very low noise design, audio enthusiasts really overlook the fact that you need to be able to measure and adjust the RIAA curve for a successful phono stage build. This means that you need an IRIAA signal source and also an accurate LCR bridge to adjust the network. I personally built a great IRIAA box and procured several LCR meters including this one as part of my learning journey of phono stages.
RIAA Preamp Power Supply
Introduction
I ran my JFET folded-cascode RIAA preamp for more than a year with batteries. Charging the batteries has been painful enough for me to decide to look for alternative supplies
A DC supply for an MC stage is not an easy task to accomplish. My battery pack ran out to a point that frequent recharging periods became a real nuisance, so decided to build a DC supply.
Nick Cave and the bad seeds
New turntable LED light, noiseless and very handy!
Merry Christmas!
It is so great to have another Christmas. It gives us an opportunity to wind down and spend proper time with our loves ones. The ones who are physically with us, and remember the ones who are no longer here, but still very present in our memories.
In fact, we all look forward to the holiday period to crack on with our projects. We all have a pile of endless projects and ideas and no better time than Christmas to start working on them.
JFET RIAA Phono: Battery Charger
After enjoying the RIAA phono preamp for several weeks with the new battery pack, I decided to build the battery charger just not to be surprised by the lead-acid battery pack running out unexpectedly.
The lead-acid battery pack is formed by a 12V and a 6V 1.3Ah batteries. Between both batteries there is a total of 6 +3 cells = 9 cells. Each cell requires 2.27-2.30V of charge at 15-24C. Therefore the charging voltage should be 20.43-20.7V. Exceeding this voltage will reduce the battery life. The charging circuit has to be constant voltage, not current.
Rod recommended me a simple but very effective design based on the TL431a. The regulator output voltage is set by R1 and R3. 0.1% precision resistors are needed, otherwise a trimpot should be used as R1. R3 should provide at least 2mA for both Q1 and TL431a operation: 
A simple PCB was built in less than 1 hour. You need to place the BD439 in a heatsink as it will get hot when charging the battery:
In a question of 2 hours the battery was charged back fully. I used it for around 20 days so far I think. The initial current is as high as 370mA and drops as the battery charges and the voltage goes up. The residual charged voltage was about 19.4V. This drops quickly after some current starts to flow through the preamp.
