Here’s a very interesting project worth sharing to all, hopefully will inspire some of you on the same journey. Achieving a quiet and good sounding LCR phono stage is not a simple project:
Hi,
I wanted to share with you the satisfaction of completing the most challenging project I’ve tackled so far, and I wanted to thank you and Rod Coleman for the fantastic PCBs you provided. It is a phono stage built entirely around DHT triodes and SITs, featuring LCR RIAA equalization. Here are the key details: 1) First stage: two 3A5 sections in parallel with a UTC A-30 anode choke and 0.15µF Miflex KPCU capacitor; filament bias using a Pathaudio resistor; 45V anode, 2.2mA. 2) Second stage: 2SK79 SIT with a Tamura A8713 interstage transformer and SiC diode + resistor bias; 58V, 5.8mA. 3) LCR RIAA network with Noguchi Finemet-core inductors, Teflon capacitors, and Charcroft Z-Foil resistors. 4) Noguchi 600:50k Finemet-core transformer. 5) 01A tube with mu-output gyrator, direct-coupled (capacitor-less) to a MOSFET source follower PCB regulated at 15mA; 0.33µF Miflex KPCU output capacitor. 6) Four power supplies, each with an independent transformer, diodes, and CRC filter. 7) Anode power supply with a Telefunken mesh-plate vacuum rectifier and cLCLC filter; the first capacitor is 2.39µF, composed of a 2µF military-grade 800V polystyrene unit (actually two 4µF/400V units in series) plus a 0.39µF Audio Note copper-foil PIO capacitor; Tango TC160-35 choke; other capacitors include polypropylene types and Tentlabs MEC50s. 8) The anodes of the 3A5 and 2SK79 are fed by Linear Audio T-Reg V5 series regulators. I’m posting a few photos here; I’d be happy if you published them on your site (feel free to decide whether or not to do so).
The system is extremely quiet and, in terms of sound quality, far superior across all parameters to the Audio Note M5 Signature I previously owned.
Best regards
Salvatore Aragona




Credits
Salvatore wished to mention the following people who inspired him and helped to realise this project: Rod Coleman, Antonio Maggio, and Giovanni Giorgianni and myself 🙂
Excellent job Salvatore.

