JFET RIAA Preamp – battery supply

I built a new pack of 12V+6V lead-acid batteries to provide +/- 18V for my JFET RIAA MC phono stage. Despite the bad reputation of these being noisy, Geoff tried them with great success. The Haze brand are the recommended and the low capacity ones (i.e. 1.3Ah) are very quiet.

I decided to build and test it. As the proof is in the pudding!

differential chokes and OSCON caps

Battery pack

Battery pack completed

Measuring noise

Here is a simple test on my workbench of the 18V battery set with a 20mA load to simulate the RIAA stage consumption. The LC is formed by a 33mH choke in differential mode + 100uF/20V OSCON capacitor.

No twisted cable pair, just banana alligator clips. The noise level is really low and is obvious that 3.3μV 50Hz hum is picked from the workbench. I also listened to it for a while and can hear the difference. I monitor the FFT with no average and lower FFT size and also couldn’t see any spikes due to chemical reactions. They may happen in future though 🙂

The performance of this battery pack is outstanding, so far so good!

4P1L Siberian Gen3: Loctal socket board

Here is the 4P1L Siberian DHT preamp (Gen3) socket board. I’m using a pair of custom made teflon sockets mounted on a PCB sandwich with a 4mm silicon rubber sheet. The lower board is mounted over 4 silent blocks:

drilling the socket boards

Loctal sockets fit and silentblocks

finished socket board

4P1Ls

4P1Ls ready!

This should be a great improvement to reduce any further microphonic noise in the preamp!

Siberian DHT Preamp Gen3: filament supply

Time to upgrade my pre-amplifier (again) and is perfect timing to go back to 4P1L. The Siberian preamp had a fantastic bass response and detail.

Here is the new filament raw supply. It has split bobbin transformers, schottky rectifier bridge and input choke LC filter stage. It also has a CM choke and EPCOS electrolytic capacitors:

Power supply ready

Input chokes

Chokes and capacitor bank

Schottky Rectifier Bridge plus snubber

Building the power supply

Dead quiet at 16V output and 550mA which is the load used by 4P1L starved filaments in parallel with filament bias.

Soon to build the preamp!

Building your own interconnect cables

I’ve been struggling for some time to find an affordable interconnect cable choice without falling into the trap of the ultra-expensive hi-fi commercial cables. In the end, an interconnect cable has to provide low capacitance, low resistance and proper shielding to protect our desired signal from external noise. We don’t need exotic cables or connectors to achieve this. Ideal dielectric is air, but is not practical build cable using air as dielectric 🙂

Continue reading “Building your own interconnect cables”

RIAA phono stage completed

FET RIAA Phono Stage

Finally completed today. It seems impossible from me to get a project finally boxed properly. I’ve done it this time with the RIAA phono stage built recently thanks to the help and guidance from Rod Coleman. This MC stage has a gain of about 70dB for MC cartridges and currently running my DL103a with a 200Ω input load. The beauty of the folded cascode (or shunt cascode as Rod refers it to) is that Miller capacitance is not a problem thanks to the fixed voltage at the drain of the FET input stage. This helps us to have a low input capacitance stage. The second stage is op amp OPA637.

I need to take final measurements of this Phono stage but this is how it looked when I was initially testing it on the bench:

Nice RIAA compliance to +/- 0.1dB. LF noise and gain levels made it difficult to capture the LF response below 100Hz.

The distortion is also really nice with less than 0.025% @ 1kHz and nice harmonic distribution thanks to the CCS at the output which is forcing the operational amplifier to operate in class A:

This stage was well received at the recent London Audio Circle Meeting. It has a nice clean and detail sound. I tried it with multiple MC and even low MM cartridges and has a nice response across the whole bandwidth. Great bass and delicate treble.

I think it is a very quiet phono stage given its high gain. I really like the overall sound and response and I guess that the negative side of it is the 18V battery pack made up of PP3 rechargeable batteries. It needs charge every two weeks and may be a pain in the back. I will try a DC supply, but will have to be really quiet to substitute my battery pack.

Starlight Discrete DAC

Resistor ladder soldered. Now it’s time
For the Logic ICs….

Mood

It’s been a long and wet winter. I barely gone out as it was always pouring down buckets of water. Spring is coming, and with that the mood of everyone is changing. A time to enjoy the open air and play music that cheers us up. New project and challenges. but for whatever reason is, I tend to play a different set of records when the weather is good. Can the british weather affect us so much?

I’m really looking forward to the good weather and for the summer to come, oh yes…

The least we can do…

I recently found a pristine copy of a great record from Van Der Graaf Generator: ” the least we can do is wave to each other”. If you don’t have a copy, I urge you to explore VDGG’s repertoire. Impressive stuff. I was a big fan on my early days of playing saxophone. I was blown away by Jackson, but it was Peter Hammill’s lyrics and music that grabbed all my attention. Still today it does.

And so I did have the great opportunity recently to say hi and exchange some words with Peter when he presented his latest work with Gary Lucas.

Fixed bias regulator

Testing the Rod Coleman Fixed Regulator

As part of my 300B SE project design, I looked into various fixed bias arrangements and regulators. Rod Coleman has developed another fantastic circuit after the success of his DHT filament regulator which is now the preferred filament supply kit within the DIY audio community. After many years of refining the DC filament regulator, Rod came up with a clever design for fixed bias using the same concept: a gyrator and a temperature-compensated CCS. Instead of feeding a current through the DHT filaments, in this case the current is used to generate a clean bias voltage across a “bias resistor”. The bias resistor is bypassed by a capacitor as the high impedance loop formed by the regulator and the bias resistor is sensitive to pick up HF noise which could be amplified by our system.

The kit is of the same quality you would expect from Rod’s boards and very easy to build. It takes less than an hour to build the boards:

Continue reading “Fixed bias regulator”

London Audio Circle meeting March 2014

We had a terrific day at George’s on Saturday. Weather played in our favour and barbecue was on the agenda. I’m not looking to review a fantastic day with the circle members on this post, but just to capture a moment of this day with Susan Parker fitting her new cartridge on George’s Audiomods arm. I contributed with my Phono RIAA stage which was very well received (I think) despite the hum picked up by George’s system unfortunately. Great records played though…

Thanks George for the hospitality and a great day with friends.

Susan’s cartridge grabbed all the attention this day. I wish I could afford it!

Cheers

Ale