801a preamp build

I wanted to share a nice review provided by Lionel Borcelot on his journey in building the VT-25/10Y/801a preamp as shared previously. I think this is a good example on what to expect and how to adapt/reuse existing components at hand to get the most out of this design.  Bravo Lionel, excellent job.

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The low gain DHT pre-amp library

For more than 10 years I’ve been experimenting, designing and enjoying DHT pre-amps. Without over-dwelling on this subject, to me DHT preamps bring the unique sound transparency and detail we all seek for. They can make night or day difference in any system. And is not about gain, hence I’m focusing on sharing this blog entry.

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300B/845 Amp: Driver Options

For more than 6 months I’ve been playing with a lot of satisfaction my 300B amplifier with the 47 driver. Since then, I’ve made 2 modifications:

  1. Major one was the introduction of my Open-Baffle (OB) speakers. These are the “Liionidas” based on the LiiAudio C-15 and W-15 drivers. I need to do a proper write-up of these, but have to admit their sound has taken my system to another level. They are simply superb. Detail and dynamics are beyond expectations. Nothing less to be expected from the designer (Leon Huijgen) :
Initial test of the Liionidas OB speakers
  1. Second modification was minor, I removed the Zobel network from the input LL7903 to minimise loading to the source. Also, after several tests I found that the impact in the HF resonant peak is minor as the source has some resistance (below 100Ω) which is beneficial. So the 300B amplifier looks like this now:

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300B SE Amp: 47 Driver

Going DHT end to end

As previously mentioned, I played around with the 46 driver.  I love it sound and is a great valve. However, there were 2 reasons that pushed me to switch to the 47. Firstly, I wanted an extra tad of gain. Secondly, I have a nice stash of RCA 247 globe which measure extremely well. I’ve been reserving it for a 47 PP amp with local feedback (a la Pimm) and hopefully will get to in the future. Anyhow, the 47 in triode mode has a mu of about 8 which in combination with the SUT, gives me good gain to drive my 300B. After tweaking on the bench the stage for optimal swing and distortion performance, I ended up with the following circuit:

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VT-25/801a/10Y DHT Preamp with SiC filament bias

For quite some time now I wanted to share one of the variations of the famous VT-25/10Y pre-amplifier. As usual due to work, business travel and family duties, I’ve struggled to find the time to update the blog.

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DHT Folded Cascode Experiments

Here we are on holidays and surprisingly I struggle to find any free time in which I can sit down in front of a tablet and write this blog entry. This is actually quite good as it’s a sign of me being disconnected and looking after my daughters. Life is good.

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ER801a Driver Stage

ER801a as Driver in my system

Received the ER801a today back from Thomas. They were working fine, it was a faulty UX-4 socket pin of my tracer which annoyingly made the grid to appear faulty and open at certain voltage level. I need to replace it.

Either way, they are now in my system and I can only say how much I was surprised with the sound of these. They take the detail and timbre of the VT-25 to a next level. Amazing result, happy to have these as part of my driver stage. The preamp is the 201a feeding the ER801a into the 4P1L PSE

Highly recommended valves, worth the price indeed.

DHT Audio Shootout @ London

Here’s the summary of the shootout day we had yesterday at my place with  Tony Rees and Andy Evans

Test Music

For testing the pre-amps Andy suggested the following 2 tracks:

  1.  Ravel Feria (Cleveland/Boulez)
  2. Janacek The Cunning Little Vixen Act 3 Scene 7 “A vixen’s running through the woods” Prague Theatre/Gregor


The Ravel is orchestrated for a large orchestra and percussion, and listening was particularly for the timbre of strings, brass and woodwind and the clarity of the percussion. The Janacek is for several different voices and chorus, and listening was for the tone and character of the voices and how well they were differentiated from each other. In both cases the overall clarity, life and crispness was considered.

Andy Evans

Although I wasn’t familiarised enough with these 2 tracks myself, I found them to be an excellent choice and a reflection of Andy’s musical experience and knowledge as musician. 

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eTracer Build and Review

Tracing valves: an obsession

Since my early days of valves and DIY audio, I developed an obsession around testing and tracing valves. This led me to design and build my analogue curve tracer which I used for many years successfully until I build my uTracer, which was a great innovation in curve tracing. I do have many valve testers (some which I made myself) so why building another one?

Well, Chris Chang from Essues Technologies developed a fantastic new digital curve tracer for valves, the eTracer.  There are a few things which will grab anyone’s attention on this curve tracer. Firstly, the power supplies can accommodate a large range of valves which the uTracer can’t. HT can go as high as 750V @ 300mA and the grid supply down to -170V! This is exactly what you need to test your transmitting valves or even a 300B.  Secondly, the tracing speed is surprisingly fast. This is a nice feature, specially when you want to trace pentodes at various screen voltages to develop a Spice model  for example. 

Build process

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Gyrator PCB Update – Rev07

The gyrator PCB has been updated to fit now a wider variety of lower enhancement MOSFETs with low capacitance and high transconductance. The best examples are the BSH111BK and BSN20BK which are great options for currents above 25mA:

 

The board offers now all the flexibility needed in terms of different TO-92 and SOT-23 package pin-outs to use whatever FET you want.